FADE IN: 1 EXT. OFF COAST OF ANTIGUA, 1775 (BLACK & WHITE) - DAY 1 SUPER: "ANTIGUA, 1775" A dinghy filled with five grizzled pirates rowing through rough waters. Two passengers, cleaner than the rest, sit in the middle looking around quite nervously. PASSENGER#1 Ah... maybe this wasn't a good idea. I think that I... PIRATE#1 Ah, ne'r ye mind. Capn's always lookin' fer fresh meat. Er, new blood. One of the other pirates grabs his shoulder, making him jump. PIRATE#2 Yeah... 'sides, who wouldn't wanna' be parta' the fiercest crew afloat? Hmm? Laughs. The small rowboat pulls up next to a large, fully armored and decorated pirate ship. The INFERNO. It is anchored closely to a strange, circular reef. A rope ladder is thrown over the port side for them to board ship. Lots of activity. Two or three men are standing down on the reef. A pirate slaps one of the passengers' butts as he climbs up. The other is poked with a sword to hurry him up the ladder. PIRATE#1 Don' fall... wouldn't want ye ta feed the sharks a'for meetin the cap'n. PASSENGER#2 Sh-sharks? The men climb aboard and join the group on deck near the mainmast. Various remarks and catcalls mock the passengers until everyone suddenly quiets down and looks toward the captain's galley door. It creaks open. Out of the shadows, a burly figure steps forth. We only see him from the right side. There is a slight limp to his walk as he makes his way to the center of the group. He stops almost face to face with the passengers. WILLY Welcome aboard the Inferno. 2. In an instant, we see his left side... and the decorated patch covering his left eye. ONE-EYED WILLY. He is in his mid-30's and doesn't look like your typical idea of a pirate except for the eye patch. He is clean-shaven and speaks very well. WILLY (CONT'D) I hear that you wish to become pirates. (He cracks a smile) That true? PASSENGER#1 Yes... We do, sir. WILLY Fine. Then pirates you are. Just not aboard this ship until you accomplish one thing. PASSENGER#1 J-just one thing? What "thing"? WILLY The Gauntlet. The crew gives a deep moan, almost in unison. Some laugh. PASSENGER#2 What is the "gauntlet"? WILLY Oh... nothing really. Just a test. Two huge Samoan-looking pirates grab the passengers roughly from behind. Others begin tying ropes around their wrists. WILLY (CONT'D) A simple test to see if you have what it takes to become a member of my elite crew of "ruthless barbarians". All you have to do is retrieve a sword for me. That's it. The pirates drag the frightened passengers towards the bow of the ship, tying them to the wooden point in front. They toss them over the front so they are hanging upside-down by their ankles -- just above and to each side of the carved wooden lady that adorns the bow of the ship. WILLY (CONT'D) Unfortunately for you two, the weapons are located BENEATH the Inferno. Attached to the centermost point of her lovely hull are your keys back onto the ship. One for each of you. Bring them to me, and you shall reap the benefits of all that I have to offer. Two pirates carry over a large barrel and dump it overboard beneath the passengers. It is filled with bloody remains, and quickly turns the water red. WILLY (CONT'D) Oh. There is a rope ladder at the stern of the ship. If you still have an arm left by then, please feel free to use it. A shark fin pops out of the water below the men. The water starts to churn rapidly as several sharks vie for the chum. It appears that they have been here for a while. The pirates aboard ship begin to howl and place bets. Willy grins. The two passengers begin to scream as their ropes are cut from the ship. Passenger#1 is cut free first and lands roughly on top of one of the sharks. His hands are still tied loosely. He is desperately trying to free himself as Passenger#2 splashes down beside him. Sharks are everywhere. Another barrel of chum is dumped on top of them. Passenger#2, covered in blood, reddish water, and meat chunks... gives a brief terrified look at Passenger#1, but doesn't help him. He takes a deep breath, then dives amid the sharks and starts under the ship. Passenger#1 frees himself, then breathes deeply and dives under. UNDERWATER The water is very clear, and it is easy to see that the water is alive with sharks. Passenger#2 leads by about two body lengths. As passenger#1 starts off, a shark attacks him, slicing into his leg. Passenger#1 twists around to see the beast gripping his leg and kicks roughly at the shark with everything he has. Another sharks brushes by his side. His heel connects with the eye of the shark, and he is released. He spastically swims away with a trail of blood flowing from the severe wound. Passenger#2 has reached the center of the ship where two swords are mounted in a small receded area about four feet from each other on either side of the keel. He reaches up and grabs the handle of the closest one. As quickly as he grabs it, two panels spring into place on each side of his wrist... locking his arm inside. He begins panicking, wildly trying to get his wrist free. Passenger#1 swims up seeing the other sword, then the trapped passenger. He swims over to Passenger#2 and tries to help him. Nothing. He twists around and sees a very large shark heading toward them. He quickly pushes away and goes to the other sword. Instead of grabbing it, he kicks at it. The sword falls out as the panels slide quickly into place, trapping nothing besides water this time. He almost misses catching the sword before it plunges into the depths. He turns back to Passenger#2. Only an arm hangs from the trapped panel now. A small trail of blood leads away from the limb. He lets out what remaining air that he has and swims up to the port side of the ship. Bursting through the surface of the water, he gasps loudly for air. He is only a few feet from the reef. The pirates scream in support. He swims rapidly to the reef, trying to climb up. A shark swims by. The four pirates on the reef quickly push him back into the water! PIRATE#3 Uh-uh! Ye ain't finished yet... ye gotta' get ta' the ship! With his leg trailing a lot of blood, he swims rapidly towards the stern of the ship. A shark bumps him as he rounds the aft of the Inferno. A rope ladder is mounted to the stern. The pirates are staring down at him, screaming in support. Exhausted, he fumbles for the rungs. PIRATE#1 Ye better jump, flea! The pirate points behind Passenger#1. A shark fin is speeding towards him. He quickly tries to climb the ladder, but he is tired, has a sword in one hand, and his wounded leg isn't working very well. Just as the shark is about to bear down on him, he is pulled up with the ladder by the group of pirates. They cheer loudly as they grasp his wet clothes and pull him aboard. He collapses onto the deck, bleeding and breathing heavily. Willy steps up to him. WILLY Well, men... it appears that we have a new shipmate! Cheers. Passenger#1 weakly raises his sword into the air. Willy reaches down, pulling him to his feet. He stumbles. WILLY (CONT'D) Someone attend to his leg! We don't need another damn peg leg aboard! A pirate with a bone peg leg hurries forward with bandages and starts to work on Passenger#1's wound. PASSENGER#1 (weakly) How many have... 5. WILLY Huh? Speak up, mate! PASSENGER#1 How... How many have made it though that alive? WILLY None! You are the first, Matey. Not too easy, was it? A lot of shouting and pointing. A small dinghy has made its way to the ship. A man hurriedly climbs aboard and heads directly toward Willy. He is out of breath and sighs deeply before speaking. MESSENGER They 're almost upon us. A ship just pulled into port and said they passed 'em on the way in. A DAY'S travel! THEY ARE ALMOST HERE! PIRATE#1 Ye said we had weeks, Cap'n! There is much excitement on board. Everyone has turned to face Willy as if expecting answers that he doesn't have. PIRATE#2 Yeah! Wha' happened? We... WILLY ENOUGH! The English have gained on us sooner than I had planned, but all is not yet lost. (He motions toward the side of the ship where the reef is) Close it up... NOW! We are leaving! PIRATE#1 But Cap'n... there are MEN down there! WILLY I don't care! Let God worry about them -- Not me. Willy smiles at the new passenger, then turns and heads back to his quarters. WILLY (CONT'D) And get that man a change of clothes. He's a welcome addition to the crew! He slams the door shut behind him.
2 EXT. - INFERNO - NIGHT 2 The ship crashes through the waves. Windswept pirates cover the deck, rushing to and fro. Standing on the poop deck, Willy stares into the night behind them through a spy glass. A single light can barely be seen on the horizon. PIRATE#2 Cap'n? Anything? WILLY Yes. Time passes. Various images of a very long and rough trip. The English ship is much faster and is gaining. There is a firefight. The Inferno is outgunned. Damaged, they try to flee. The English ship follows. 3 EXT. INFERNO - DAY 3 Willy is staring back at the very close ship. He looks down at a crude map. A pirate comes running up to him, breathless. PIRATE#1 Cap'n! They says there's a cave aroun' the bend a bit! Can barely be seen from the nest... He motions up to crow's nest perched on the masthead. WILLY And? PIRATE#1 We was thinkin' that we could pull the Inferno inside. You know, so... WILLY Big enough for her, eh? Hmmm. If they pass by, we can swing around behind her... (pauses) Aye. DO IT! NOW! An Instant flurry of action begins aboard the Inferno. WILLY (CONT'D) Cut her as close to the shore as ye can! We need to make it in before they can see around the bend! MOVE, fer God's sake, MOVE! Man the hand lead and lines! 7. 4 INT. CAVE ABOARD THE INFERNO - DARKNESS 4 Pirates crouch in the shadows peering out between the gunwale. The Inferno is tucked silently within the darkened walls of a VERY large cave. The men watch silently as the trailing ship rounds the bend outside the cave about 1000 yards out at sea. It continues without slowing. The men aboard the Inferno begin to smile. Suddenly, the smiling stops. The ship starts to turn towards them. It is obvious that they have been seen. The crew starts scurrying to their posts. They are trapped. The ship outside moves into place and starts firing towards the cave. Gradually, the cannons begin to find targets. The cave starts to collapse around the Inferno. Willy stands at the stern of his ship... shadows of the collapsing cave dance across his hardened face until all that is left is darkness. CUT TO: 5 INT. - ONE-EYED WILLY'S HOUSE O' ANTIQUES - DAY 5 BEGIN CREDITS. During the credits, we are privy to the many objects of curiosity lining the walls of the shop. There is a framed yellowed newspaper article about the discovery of an empty pirate ship off the coast of Hawaii, and another on the arrest of the Fratelli family thanks to a group of kids from the Goon docks. Somewhere among the articles we even catch a glimpse of the map & doubloon that led to the original adventure. At the end of the credits there is a framed photo of the original group of Goonies huddled together: MIKEY, BRAND, CHUNK, DATA, MOUTH, ANDY, & STEF. END CREDITS. A hand reaches down and grasps an inhaler next to the cash register. MIKEY inhales deeply, then begins to breathe normally. He is now in his mid 20's, but will never appear to be his true age. The front door of the shop creaks open, accompanied by the sound of the connected chimes. Mikey looks up from the dusty book that he is reading to see an elderly man, CHESTER COPPERPOT III, enter the store. He is in his fifties, and is obviously well-to-do. The door slowly closes behind him as he steps toward the front counter, staring off distantly. Mikey straightens himself up a bit. MIKEY Good afternoon, Sir. The man seems to ignore him. He turns, appearing to be looking for something. He walks briskly toward the display case containing the MEDALLION & SKELETON KEY from the first film. He brushes his fingers gently across the top... almost caressing the glass. Mikey comes out from behind the counter as the man attempts to open the case. MIKEY (CONT'D) Uh, Sir that is not for sale. It's only a display... CHESTER Twenty-Five thousand. Mikey stumbles a bit. MIKEY Excuse me? CHESTER Twenty-Five thousand. Cash. MIKEY F-For those...? CHESTER (Slowly. Pronounced.) Each. The man has not yet looked at Mikey. Suddenly, the door swings open behind them. TAMI enters the store. She is about the same age as Mikey, and obviously knows him quite well. TAMI Hi, Babe... (spotting the customer) Oh, sorry. She quietly goes behind the counter. Mikey slowly turns back to Chester nervously. MIKEY I, uh, can't. Did you say... "Each"? CHESTER (Finally looks up at Mikey) I will pay you fifty thousand dollars cash for these two pieces. Tami's attention is instantly hooked by his words. 9. MIKEY No. No, I can't. They're special -- we went though a lot together. Tami moves in from around the counter. TAMI Mike... CHESTER Mr. Walsh, EVERYTHING has a price. What do you need from me to make us BOTH happy? Just say a number. TAMI Mikey... MIKEY No. I'm sorry, they are not for sale. Mikey turns from him, and heads back to the counter. Chester stands there for a moment before heading for the door. He is obviously annoyed. Tami trails after him. TAMI Uh, Mr... let me talk to him. He's just... They both exit to the street. Through the window we can see them talking. He hands her something, then goes to his car. She returns inside. TAMI (CONT'D) Mikey, do you realize what we could do with that money? We... MIKEY Yes, Tam. I know. (takes a deep breath from the inhaler.) Those aren't really mine to sell. They were a gift from a VERY old friend. Tami stares, her face very slowly changing from confusion to love. She moves forward, gently touching his face. TAMI You know that they have treatments for obsessive-compulsive disorder, right? (pauses with a smile) Ok, Mr. You win. You get to keep your trinkets. We can squalor in poverty for now. They embrace. Behind him, she tosses the BUSINESS CARD that Chester handed her onto the counter. It lands face down. 6 T. INT. - OREGON STATE PRISON -- EVENING 6 An INMATE lazily rolls a cart covered in books, magazines, and newspapers down the row of prison cells. He hands a few books through the bars of a couple cells. At one, we see a HAND poke out with two packs of cigarettes. He takes them, giving a sly glance around -- then reaches under the stack of magazines and gives the hand a copy of PLAYBOY. He wheels up to the next cell and stops. JAKE FRATELLI is laying on his cot. He looks up at the INMATE and gives a crooked smile. JAKE Whatcha' got, Buzz? Any hacksaws today? INMATE Yeah, but I just gave the last one away to someone who knows how to use it. JAKE Oh, that hurt. Just gimme' my paper. The INMATE takes the top newspaper, and begins to pass it through the bars. GUARD1 steps up and swipes it from his hand before JAKE takes it. The INMATE looks at the guard, then pushes his cart forward to the next cell. GUARD1 What the hell's this shit? (reading the paper) The "Astoria Times Delta"? How cute... Why do YOU care what goes on in Astoria -- ain't like you're ever gonna' go back, Jake. JAKE stands up, pressing his face against the bars. JAKE I like to read the obituaries... hoping I might find someone I know. GUARD1 Oh, yeah... ain't that the section where I found your mother's picture? Geez, you'd think she could at least crack a smile. Jake's eyes widen, furious. He swings his arms out between the bars, trying to grab the guard. JAKE You son-of-a-bitch! I'll get YOUR damn picture in the paper... she died in PRISON. I didn't even get a chance to see her! The guard backs away quickly, laughing as he smacks at Jake's hand with the rolled up newspaper. He tosses the paper to the floor near the cell. GUARD1 Kill a federal agent, and you deserve to die in the CHAIR. Not a prison cell. She got lucky. Tell your brother I send my regards. I heard he's been raked over so many times now that he's gotta' wear Diapers. The guard heads off with a smirk. Slowly, Jake reaches down and picks up the paper without lifting his eyes off the guard. He mumbles to himself as he lies down on his bunk to read the paper. CUT TO: 7 EXT. DATA'S HOUSE - DAY 7 A MAILMAN opens the mailbox located outside DATA'S house, and inserts a few pieces of mail. Along the side of the mailbox are the words, "RICK WANG". As soon as the door is closed, a light activates on the front of the box. The mailman shakes his head and walks off. The mailbox starts to tilt at an odd upward angle until all of the mail slides back into the clear chute that serves as the post the box sits on. It disappears underground. 8 INT. DATA'S HOUSE - DAY 8 Inside, the mail shoots out of a tube onto a strange sorting machine. It takes each piece of mail individually, opening the side with a sharp letter opener. A tweezer-like arm separates the sides of the envelope and removes the letters from inside. One particular letter looks as if it is written on old parchment paper. The armature moves this letter over to the adjoining computer and slides it into a flatbed scanner. The monitor next to it begins displaying the full screen image as it is scanned into the system: "Ye are invited to the wedding of Michael "Mikey" Walsh and Tami Lynn Springmeyer" It is a fancy wedding invitation made up to look like a treasure map. There is a big red "X" over Astoria, Oregon. The modem starts dialing out. 9 INT. KATTEL TOYS, DATA'S OFFICE - DAY 9 DATA, now in his late 20's, is seated at his computer. He is the lead toy designer for Kattel Toys. Various posters and items he's created decorate his wild office. A poster for "Slick Shoes" hangs behind him. A VOICE comes across his computer speakers. VOICE You've got mail. Data leans forward and clicks on an icon. The Wedding invitation appears on his screen -- instantly scanned and mailed from home. As he reads, a smile forms. DATA All Right! He's gettin' married! 10 INT. DEVEREAUX HOME - DAY 10 STEF sits at her sculpting wheel, hands covered in wet clay. In one hand, she has the wedding invitation. Her eyes are wide with excitement as she hurriedly pushes the buttons on the phone to dial out. It rings. MOUTH answers on the other end. MOUTH (O.S.) Clarke Devereaux here. STEF Mikey's getting married! In Astoria! MOUTH (O.S.) Whoa, whoa... Mikey WALSH? Shit, you sure, Babe? STEF Of course I'm sure, Dork. Why would I say that if I wasn't sure? I have the invitation right here! 11 INTERCUT - FRONT OF CITY HALL, BEAVERTON, OR - DAY 11 MOUTH I love when you call me names, Stef. 13. He is on his Cellular phone, and surrounded by election signs covered with his name and picture. He is running for public office. A lady walks up and shakes his hand while he is on the phone. MOUTH (CONT'D) When's the wedding? STEF (O.S.) You have to wait until you get HOME to find out. Soon I hope? MOUTH You wanna' get all "Demi Moore" with the clay again? (chuckles) I should be home in a bit, Stef (pause) Yeah, I love you too. He hangs up the phone and smiles at a few of the people passing by. He hands out a few election buttons. MOUTH (CONT'D) Wow... Mikey. Married. 12 INT. CHUNK'S UC BERKELEY DORM - DAY 12 A student wearing a Berkeley T-shirt walks down the dorm hallway waving a letter above his head. He yells down the hallway. STUDENT Lawrence! You got a letter here... looks kind of strange. LAWRENCE! CHUNK pokes his head out of his room. He is no longer overweight, and actually looks quite serious now. CHUNK Yeah? What is it? STUDENT Weird, man. Looks like an invitation or something. He tosses the old-parchment envelope at Chunk. STUDENT (CONT'D) What the hell does "Chunk" mean? Chunk stares down at the envelope. "Lawrence 'Chunk' Cohen" is written in decorative calligraphy on the front. Dazed, he backs quickly into his dorm room and shuts the door. He rips open the envelope and pulls out the invitation. As he reads it, his face lights up. He starts to scream in excitement. The student in the hallway hears this, then walks away shaking his head. STUDENT (CONT'D) (to himself) What a freak. 13 INT. LUMBER MILL, ASTORIA, OREGON, DAY 13 Extremely dirty from work, BRAND is standing reading though the invitation. People are working all around him. Saws, forklifts, etc. By the look on his face, this is his first time reading the letter. He looks ecstatic. BRAND Hey, everyone! My brothers getting married! Through all the noise, a few guys look over confused. Not sure what he said. WORKER#1 "You lover's getting carried?" What the hell does THAT mean, Brand? BRAND No... My... He waves for a few of the machines to stop. BRAND (CONT'D) My BROTHER'S getting MARRIED! There is an awkward pause. WORKER#2 And you're happy? WORKER#1 Poor bastard. The machines start back up, and everyone goes back to work. One worker walks past brand and pats his back. WORKER#3 Sorry, Bud. Better him than you. Brand is oblivious to them, and walks off smiling. 14 INT. PRESCHOOL CLASSROOM - DAY 14 ANDY is on the phone at the back of the classroom. Children are playing loudly throughout the room. A few are finger painting near the front. ANDY Are you sure? STEF (O.S.) What is it with you people? Chunk was the one who made up stories... not me. Of course I am sure. I have the invitation right here. ANDY Wow. It almost feels surreal. What's her name? STEF (O.S.) Tami. Cute. I didn't even know he was dating anyone. ANDY Do you... do you think Brand will be there? STEF (O.S.) Duh. It's his brother. Of course he will be there. Why? Uh-Oh... A coal still burning in the fire? I thought you were living with that prissy model guy, Jason. ANDY Well... It's a long story. He was just the short version of it. Everyone seems so... Boring. One of the kids purposely steps on a plastic squirt bottle of blue paint. It sprays all over one of the other kids, and the chalkboard behind. Screaming. ANDY (CONT'D) Oh, crap. Gotta' go, Stef. STEF (O.S.) Call me... ANDY I will! She hangs up, and heads over to the newly created mess. CUT TO: 15 INT. OREGON STATE PRISON -- NIGHT 15 Feet clicking down the darkened hallway. Two prison guards stop in front of JAKE'S cell. The door slides open. Jake is asleep in his rack. Guard1 steps inside, quietly. The other one stands outside of the cell. GUARD1 Pssst. Hey, Dirtbag. Jake quickly wakes up, scared. JAKE Yeah, yeah? Who... the hell? (realizing who it is) I didn't do nothin'! I -- GUARD1 Get up, you're coming with us. Now. Jakes looks around quickly. Something isn't right. He looks worried. JAKE Look, Man. I'm OK with you sayin' crap about my Mom. Say whatever you want -- GUARD1 Shut the Hell up, Jake. You have 30 seconds, or I am going to walk out of here without you. Jake looks up confused. JAKE So... all I have to do is lay here and you'll leave? GUARD1 You don't WANT me to leave without you. Trust me. Jake slowly starts to get out of bed. He reaches over for his pants and starts to put them on while still eyeing the guards suspiciously. The three of them start to head back down the corridor of cells. JAKE What's this about? GUARD1 The warden wants to see you. JAKE In the middle of the night? Gimme' a break. You guys planing on shooting me? Saying that I was trying to escape -- GUARD2 Jeezus. Are you for real? JAKE I've seen the movies. You guys always pull that kind of shit. GUARD1 Oh, and by that theory... all prisoners are actually innocent, right? Both guards give a slight chuckle. Jake looks around nervously as they pass through a few open doors. They enter a large darkened room. Someone is seated at the desk hidden by shadows. GUARD1 (CONT'D) Need one of us to stay with you? From the shadows. WARDEN That will not be needed. Go about your business and have a good night. GUARD1 You need us to check back in? To take this scumbag back to his... WARDEN No. The guard looks confused. He shrugs his shoulders, then the two guards exit the room. The door closes behind them. There is an awkward silence. JAKE Uh, Warden. I ain't been causin' no problems, Sir. WARDEN Mr. Fratelli. JAKE ...and I'm actually kinda tired too. (fakes a yawn) Gotta' get ready for my parole board hearing next Thursday. WARDEN Jake. There isn't going to BE a parole hearing. Jake looks stunned. The door suddenly swings open behind him, making him jump. There is a ruckus as three men enter. FRANCIS I...I didn't do anything! Come on, guys. Jus' let me go back to my cell. Please? PLEASE? Two officers roughly shove FRANCIS into the room. He falls to his knees. The Warden quickly stands. WARDEN Enough! The two guards back out of the room. FRANCIS Warden... I... JAKE Francis? Francis! FRANCIS Wha? Jake? That you? He quickly stands up. They momentarily stare at each other before hugging. JAKE It's good to see you, Bud. All of the sudden, Jake shoves him away a bit. JAKE (CONT'D) Why the hell are you lettin' them push you around, Francis? Huh? What would Ma think? The Warden clears his voice, and they both slowly turn to him. WARDEN Save the reunion festivities for later, won't you? We are here to work out some details. FRANCIS Huh? For what? What is this, Jake? JAKE I dunno. Warden... what did you mean? I'm not havin' a hearing? WARDEN Do you really think they are ever going to let you out, Jake? Seriously? JAKE Sure. I have... WARDEN No. They won't. Roaches like yourselves are destined to scurry in the halls of prison your entire lives. Sure. You may see the light of day, but you always come home to nest. JAKE Oh. WARDEN However, there are other ways out of this uh, "Roach Motel". Can I interest you in an open door? FRANCIS Wait. We been here for over fifteen years without ever talkin' with you... sides' our introduction the first day. Now... JAKE ...You're our best friend? Like I asked before, you guys setting us up? The Warden smirks a bit, then stands up. He casually walks over to Jake and Francis. FRANCIS Oh, I'm not your friend. Never confuse that with what we are talking about here. I would just as soon shoot you as feed you. You two are nothing besides green to line my pockets with. If it weren't for money, we wouldn't be here talking. JAKE We don't have any money, Warden. Suddenly a voice comes from a darkened corner of the room. Chester Copperpot III. CHESTER Yes, but gentlemen... I do. They both spin to look at a face they can't see. Chester makes no move to help them see. FRANCIS Who the Hell? WARDEN You two have only one chance. He picks up two very thick folders from his desk. WARDEN (CONT'D) Knowing how stupid you two are, I know one isn't enough. But one it is. Your friend here -- Um, OUR friend here -- has made me happy. Happy enough to chance several things on you. You blow this, and I report you as escaped. I guarantee that I can put together a manhunt big enough to scrape you from whatever shoe you try to hide under. You do what he asks -- and then quietly disappear when you are done... and these files are filed away permanently. With my signature. Nobody will ask questions that I can't answer. The Fratelli's look stunned. JAKE This ain't no trick? CHESTER No. Do exactly as I ask, and you two will be free men within a week. WARDEN That is a scary thought. JAKE What's the catch? CHESTER No catch really. You just have to promise me that I will have your undivided attention and commitment for the next week. No questions asked. FRANCIS No problem! You got it... What are we doing? Housework? Cleaning your car? Driving you around... CHESTER You may actually enjoy this. One last job... finishing up something that you had already started. JAKE All it's gonna' to cost us is one week? CHESTER Gentlemen, it may end up costing you your lives. WARDEN We can only hope!
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